Sister Rosetta Tharpe Playing Gibson Guitars. If you are interested in a bit of old-time rock and roll, then you may want to check out some of the music of the famous Sister Rosetta Tharpe. She is considered to be the Godmother of rock n roll, and she played on some of the most famous Gibson guitars of all time. Her music was a hit in many countries, and she became known as the first black artist to perform at the White House.
Sister Rosetta Tharpe Playing Gibson Guitars
Famous Gibson guitars of Sister Rosetta Tharpe
The Gibson Sister Rosetta Tharpe Collection is a new line of merchandise created by the brand in honor of its famous rock-and-roll icon. This collection consists of a t-shirt, a camp flag, an enamel pin set, and more.
Sister Rosetta Tharpe was a singer and guitarist, born on March 20, 1915, in Cotton Plant, Arkansas. She was also one of the first women to play an electric guitar. Her musical style combined gospel with modern rock ‘n’ roll. As a musician, she pushed racial boundaries and helped pave the way for the development of blues and rock ‘n’ roll.
When she was a kid, Tharpe and her mother performed in a traveling gospel troupe. They toured the American South, performing at church conventions. Eventually, she settled in Chicago.
As a young adult, Tharpe achieved fame as a musical prodigy. Her performances earned her record deals. By the time she was 25, she was a pop star. During this period, she toured with Brownie McGhee, Blind Gary Davis, Otis Spann, and Sonny Terry. In addition, she toured the British Isles.
While she was a gospel singer, Sister Rosetta Tharpe also played the guitar with passion and skill. She is often called the “Godmother of Rock ‘n’ Roll”.
She was a pioneering figure in the world of electric guitar. She was also the first woman to front her band. Through her skill and charisma, she brought a new dimension to the music of her day.
Gibson produced a mini-documentary to commemorate Tharpe’s legacy. The resulting biography, Shout, Sister, Shout!, was written by Gayle Wald, and it garnered renewed interest in Tharpe’s life and work.
For this special tribute, the Gibson brand has teamed up with Grammy-nominated guitarist Amythyst Kiah. Their rendition of the song Didn’t It Rain is a homage to Tharpe’s performance with Muddy Waters in 1964.
This line of merchandise is a part of the ongoing effort by the brand to establish and enhance Tharpe’s legacy. It is also a means of enlightening the public about the important role Sister Rosetta Tharpe played in the development of the guitar.
Godmother of rock ‘n’ roll
Sister Rosetta Tharpe is often credited as the “Godmother of Rock ‘n’ Roll.” She was a guitarist and songwriter who had a huge influence on rock ‘n’ roll, blues, gospel, and folk music. Although she died in 1973, Sister Rosetta is still regarded as a legendary figure.
She began playing guitar at age four. Sister Rosetta was raised by a religious family and was exposed to jazz, blues, and gospel music. As a young woman, Tharpe toured with her mother, an evangelist. They toured the south in the 1920s and ’30s. Eventually, Tharpe moved to Chicago. There, she discovered that she had a talent for playing guitar.
When she first toured, Tharpe slept on a tour bus. This was because institutional racism was still widespread at the time. Nevertheless, Tharpe played in a variety of shows, including one with Cab Calloway.
Tharpe was one of the first female guitarists to record and perform on an electric guitar. The Gibson SG/Les Paul, which she played, became a classic in the 1960s. Later, she would play a Gibson ES-330 with metal-covered P-90s.
Tharpe’s soaring solo is filled with double stops and chromatic runs, as well as directing chords and a wild bend. Her performance presages Keith Richards’ “windmill” move, a popular rock ‘n’ roll technique.
Tharpe’s guitar playing is also credited with influencing Chuck Berry, Elvis Presley, Little Richard, Johnny Cash, and Aretha Franklin. In addition to her dazzling playing, she was an audacious performer. A fearless musician, Sister Rosetta Tharpe pushed the boundaries of music, especially the nascent genre of rock ‘n’ roll.
After touring, Tharpe and Marie Knight made popular recordings. Their debut album, Saints & Sinners, was released in 1951. During that period, they toured with Muddy Waters, Brownie McGhee, and Blind Gary Davis.
In 1970, Sister Rosetta toured Europe with the American Folk, Blues, and Gospel Festival. After this, her career declined in the United States. She died in 1973 of a second stroke. However, she left behind a legacy of music that still inspires thousands of six-string rockers.
Famous triplet licks
Guitarists who play the blues often incorporate pentatonic licks in their repertoire. Pentatonic licks are a key characteristic of authentic-sounding blues. These licks feature open strings or other string-crossing techniques. They are a natural way to target chord tones and create a harp-like effect.
A common riff based on a pentatonic scale is the blues ballad lick. This lick is played in the key of C. It utilizes a b3 from the minor pentatonic scale and double stops. Using these methods creates a very appealing lick that sounds great over the E7 chord.
Another pentatonic lick is a three-note pull-off on the G string. This lick is a little tricky to play at speed, but it is easy to make the lick sing. The lick ends with a quick pull-down bend at the third fret.
This lick is a classic Clapton-inspired idea. Bar 2 switches from hammer-ons to double pull-offs. Performing the move with the middle finger is the easiest way to do it.
Adding oblique bends to the high E string gives the lick a fiddle-like feel. Practicing the lick in four-note segments will help you learn it.
This bluesy lick is an effective example of hybrid picking. The lick incorporates a three-note motif, a series of hammer-ons, and a double-stop. When the lick is over, the last note is played with vibrato.
In the first bar, you’ll play a sweeping three-note pattern against four notes per beat. Taking the time to listen to the song will help you understand the musical continuity of the improvisation.
Practicing the lick at different speeds will allow you to get better at it. Its key is to let as many notes ring together as possible. You’ll also want to keep the tempo fast enough so the lick moves along.
Whether you’re playing the lick with the pick or an acoustic guitar, try to keep the note ringing as loud as you can. The lick also incorporates a chromatic “neighbor tones” approach.
Trying out these licks will allow you to gain a better understanding of the pentatonic scale. They are transposable, so you can practice them in different keys.
Shout, Sister, Shout!
Sister Rosetta Tharpe was a female guitarist who paved the way for women to play rock and roll guitar. A pioneer of rock ‘n’ roll, she is also known as the “Godmother of Rock and Roll”.
She made headlines in 1964 with Muddy Waters and Otis Spann, and her performance of “Didn’t It Rain” on a Manchester, England, radio station platform influenced the British blues scene. The success of her tour led to more shared bills between artists.
Sister Rosetta Tharpe’s death was caused by a stroke in 1973. She was buried in an unmarked grave in Philadelphia. However, her legacy lives on. Thousands of six-string rockers followed in her footsteps.
Her playing style was highly propulsive, evoking a sense of charisma. Her solos were masterworks. During her career, she played several different guitars. Among them, she wore a 1961 Les Paul SG.
Throughout her long and storied career, she traveled around the country and performed at church conventions. She and her mother, Rosalind, toured throughout the American South. When she was six years old, she joined her mother’s traveling evangelical troupe.
In the mid-’20s, Tharpe and her mother settled in Chicago. Their home was shared with a woman called Madame Marie Knight. During this time, they were billed as a singing and guitar-playing miracle.
Tharpe was a force of nature. Her powerful voice carried through the choir. Her fingerpicking style expanded the sound and was a key strategy for being heard.
Sister Rosetta Tharpe was the first woman to front a band. She played a Gibson Les Paul SG in white, with three PAF-style humbuckers. Her guitar was a masterpiece of fervor, showmanship, and tone.
She toured with Blind Gary Davis and Brownie McGhee. She was the first musician to perform at a stadium. Upon her passing, her estate was donated to the Rock and Roll Hall of Fame. As a tribute to her, Gibson launched a merchandise line.
Gibson has recently released a short documentary on Tharpe, entitled Shout, Sister, Shout! Its release has rekindled interest in Tharpe’s legacy.
Sister Rosetta Tharpe – Rock and Roll Trailblazer
Sister Rosetta Tharpe is an iconic musician and a trailblazer in rock and roll. She played electric guitar with a fast, propulsive playing style. Her guitar playing had an impact on the development of contemporary rock acts such as Elvis Presley, Johnny Cash, and Otis Spann. However, Sister Tharpe is often overlooked in the history of rock music. In the 1980s and 1990s, her reputation diminished, but by the early 2000s, she had been inducted into the Rock and Roll Hall of Fame.
Sister Rosetta Tharpe was a gospel-trained singer and guitarist. The daughter of an evangelist, she was encouraged to explore things outside of her race. As a youngster, she joined her mother on a traveling gospel troupe. Eventually, the sisters landed in Chicago and settled into a life of traveling to the southern United States. They performed at church conventions throughout the country, and Tharpe developed musical talent. During her career, Tharpe played several guitars.
One of the first female artists to lead a band, Sister Rosetta Tharpe was a pioneer in electric guitar play. Her playing style was all about power, and her guitar tone was mostly in her fingers. Although she had a number of guitars throughout her career, she primarily played a Gibson Les Paul. Despite being a singer and a guitarist, Tharpe was also an accomplished songwriter. “Strange Things Happening Every Day,” a song that showcased Tharpe’s guitar skills, was the first gospel song to appear on the Billboard magazine Harlem Hit Parade.
In the 1960s, Sister Tharpe toured with such notable performers as Brownie McGhee, Muddy Waters, and Sonny Terry. She was an audacious performer, and her playing style was both propulsive and virtuosic. Onstage, she would perform gospel tunes in C, as well as songs by Johnny Cash, Cab Calloway, and others.
Tharpe pushed the limits of the tube amps of the time. She used a small valve amp to turn up as much as possible. This meant she could push her guitar tone to its apex. Ultimately, her playing style changed the way people played music, and her signature Gibson SG paved the way for other artists to incorporate guitar virtuosity into their repertoires.
Sister Rosetta Tharpe had a long and successful career. She was inducted into the Rock and Roll Hall of Famers in 2018. Her influence on the history of music is extensive, and she was a crucial figure in the evolution of American popular music. For her achievements, she was awarded the Grammy Lifetime Achievement Award in 2020.
A tribute to the legacy of Sister Rosetta Tharpe, the Gibson Sister Rosetta Tharpe Collection is a collection of t-shirts, hats, and more. It also includes a miniature replica of Tharpe’s beloved ’61 Les Paul SG Custom. Other merchandise in the line includes a camp flag and an enamel pin set.
In addition to the collection, Gibson also produced a mini-documentary about the life of Sister Rosetta Tharpe. Written by Gayle Wald, it details the life of a black woman who was a pioneer in the field of rock ‘n’ roll.