Pat Metheny Playing Gibson Guitars


Pat Metheny Playing Gibson. If you love jazz guitar, you may want to try a Pat Metheny guitar. His playing style has been praised by many musicians, but the guitar is his most famous instrument. The artist was born in Kansas City and began playing trumpet at age eight. By age twelve, he had switched to the guitar and began working regularly with the best jazz musicians in Kansas City. This experience gave him valuable bandstand experience, and he burst onto the world stage in 1974.

Pat Metheny guitars

Ibanez PM2

The Pat Metheny Signature Series PM2 is a hollow-body electric guitar with a maple top and mahogany/maple set-in neck. The guitar has an antique amber gloss finish and features a 305mm radius ebony fingerboard with an acrylic and abalone block inlay. The guitar is equipped with a gold tuner-o-Matic and features a set of flat-wound strings. The PM2 ships with a hardshell case.

The Ibanez PM2 is a tribute to Metheny’s work. The PM2 is one of the most iconic jazz guitars of all time, featuring an all-maple body and a three-piece maple and mahogany neck. The guitar also features a single Super 58 humbucker in the neck, delivering an incredible sound and complementing the natural wood warmth of the hollow body construction.

Pat Metheny playing Gibson Pat Metheny guitars

Despite having several guitars, the Ibanez PM2 stands out for its high quality and superb playability. Pat Metheny has been using an Ibanez Hollowbody guitar for many decades. Besides its great tone, it also boasts fast playability and longevity. With a price tag that reflects its quality, it is no wonder that so many renowned guitarists use it. The Gibson Ibanez PM2 is no exception.

Known for his ambitious work schedule, Pat Metheny’s guitar sound is a defining characteristic of his playing style. His guitars are known for their soulful sound and are never mawkish. Metheny is also known for his endless curiosity about the world and his constant search for new ways of expression. With his unique approach to jazz, this guitar is a great choice for acoustic music.

Despite his strong association with traditional archtop guitars, the musician has experimented with a variety of oddball instruments throughout his career. At the age of thirteen, Metheny purchased a blonde Gibson ES-175 and played it for the next 15 years. In 1989, he was presented with a prototype of an Ibanez signature model guitar, which he has been playing ever since.

Guild acoustic

The legendary guitarist Pat Metheny is set to play two concerts at Manchester Craftsmen’s Guild’s Jazz Hall on May 5 and 6. He will perform both solos and with bassist Larry Grenadier. Metheny has played guitar in a variety of settings in recent years, including acoustic trios, quartets, and even orchestra. He plays Nashville-tuned Guild acoustics and repurposed drum hardware.

Founded in 1958, the company began producing high-end guitars in California. In 1989, it acquired the Tacoma Guitar Company. Founded in Westerly, RI, the company had a small production facility. By the mid-1990s, it had expanded to include most of the Traditional Series acoustic guitars. In the early 2000s, the company added right-handed models to its line of guitars.

While Guild acoustic guitars have never gained the cult status of Martin and Taylor acoustic guitars, they are still an excellent choice for intermediate-level players. While Guild guitars are more expensive than many other brands, the sound quality is second to none. They are also highly regarded as great value for money. So, if you are looking for a quality guitar that will inspire you to play better, choose a Guild guitar.

Gibson ES 335 History


In addition to the Gibson ES-175 and ES-299, Pat Metheny is also famous for using a special Ibanez PM model electric guitar. These guitars were designed by Gibson in the 1960s and have similar tone characteristics. The Ibanez model features a single pickup and a slightly shorter body than the ES-175. While the Gibson ES-175 was considered one of the most iconic guitars of all time, Metheny later played a somewhat different model.

The original ES-175 was first produced in 1957. The Gibson ES-175 has a Florentine cutaway and PAF humbuckers. It is highly prized because of its playability, craftsmanship, and full, rich tone. Several iconic players have played the ES-175, including Wes Montgomery, Joe Pass, and Kenny Burrell. Those who play the original model would be proud to own one of the many Gibson ES-175 models in their collections.

The ES-175 evolved into a legendary Jazz/Rock/Fusion guitar. Unlike most guitars, the ES-175 has been around for over 40 years. During this time, it went through several evolutionary steps. Since its introduction, it has remained a popular model among touring musicians and studio musicians. With its bright, ringing tone, the ES-175 continues to attract admirers from all walks of life.

The ES-175 was designed to give guitarists in large orchestras the same tone and sustain. Its laminated maple top helped reduce feedback and provided a more rigid, stable base. The ES-175 had a laminated maple top and was named for its $175 price tag. The ES-175 was a great guitar for Metheny to play. If you haven’t heard about an ES-175, it’s worth checking out!

The Gibson ES-175 has been the guitar of choice for Metheny since his debut. He has worked with a wide variety of artists from classical composers to contemporary musicians. His collaborations with Abbey Lincoln, Dewey Redman, Joshua Redman, and Abbey Lincoln are all a testament to his versatility. As a guitarist, he is a true master of his instrument. The Gibson ES-175 is the perfect instrument for capturing Metheny’s improvisational style.

Tal Farlow

The iconic sound of Tal Farlow’s guitar is instantly recognizable. He’s a young North Carolina native with large hands and a harmonically rich voice who developed his signature style during the mid-50s. In 1962, the ES-350 became a classic recording instrument for the guitarist, earning “The Octopus”. In addition to his Gibson ES-350, Farlow also favored the ES-175 model.

The 12-string guitar is Pat Metheny’s main instrument, but he’s also used a 42-string Pikasso and a guitar synthesizer. He combines influences from the history of jazz, Brazilian music, and folk from different cultures. The guitarist’s debut album for ECM in 1976 was one of the first significant jazz recordings by Jaco Pastorius. Bob Moses rounds out this trio of highly melodic improvisers.

Pat Metheny Albums

If you want to hear a great jazz guitar playing, Pat Metheny is worth listening to. You should check out his albums Offramp, Watercolors, Road to the Sun, and Third Wind. You’ll enjoy the rich sonic palette and unique style that only he could create.


Pat Metheny and his brother Mike are both trumpet players. Together, they have nearly 50 years of experience in the music industry. In addition to playing his Gibson guitars, Pat is also a frequent collaborator with other musicians. The two have collaborated on albums with Michael Brecker and Brad Mehldau. Pat also teaches guitar at several universities worldwide.

In 1982, the Pat Metheny Group released Offramp. This album marked the first appearance of bassist Steve Rodby. It also featured a guest artist from Brazil, Nana Vasconcelos. The Brazilian had previously played with Pat on the Pat Metheny/Lyle Mays album As Falls Wichita, So Falls Wichita Falls, adding wordless vocals and percussion to the group’s sound.


Pat Metheny has a new album out called “From This Place,” the first album he’s released since 2014. The composition is 13 minutes long and features the musicians of the Hollywood Studio Symphony orchestra, led by Joe McNeely. The album has sold over 200,000 copies. While this album may not be as well known as some of his other albums, it is a significant step for the guitar legend.

Pat Metheny first recorded this tune for his 1984 album Rejoicing. The song was inspired by Paul Klee and Don Sebesky, painters and composers who were also musical influences. The music on this album features Pat Metheny playing a Manzer guitar with a Fishman piezo, AMT S15G mic, and Shure VP-88 stereo mic.

Road to the Sun

Pat Metheny started as a teenage prodigy. The University of Miami’s music department hired him when he was only 17. He soon found work with jazz greats like Dave Brubeck, Jim Hall, and Charlie Haden. He also appeared in many other artists’ projects. Although Metheny has had a long career as a jazz guitarist, he’s never rested on his success. He was a risk-taker with his 1994 LP, Zero Tolerance for Silence. The album was an all-guitar orgy of improvised dissonance.

In addition to being an accomplished jazz musician, Metheny is also an accomplished music educator. He began teaching at the University of Miami at the age of 18 and went on to become the youngest instructor at the Berklee College of Music in Boston at age 19. In 1996, he received an honorary doctorate from Berklee. In addition to being one of the most influential and well-respected jazz artists, Metheny has been recognized with 17 Grammy Awards. Despite winning numerous Grammy Awards, he continues to tour 120 to 240 days per year and has worked with some of the greatest jazz musicians in the world.

Road to the Sun II

Pat Metheny has a rich guitar history. In fact, he has played on some of the most popular jazz albums of all time. In addition to his work with the band, Monks Pat also performs as a solo artist. His first solo album was titled New Chautauqua. It became a huge hit on the high jazz charts and was credited with selling more than 120,000 copies.

In addition to playing Gibson guitars, Pat Metheny has used other brands of guitars, such as Manzer. He has used the Manzer mini-guitar, and acoustic sitar guitar, as well as a baritone guitar for his 2003 recording of One Quiet Night.

Road to the Sun III

Guitarist Pat Metheny has a unique approach to tone. He uses a combination of high-midrange settings on his amplifier and the natural full-frequency response of hollow-body guitars to create an unmistakably soulful tone. These techniques allow him to cut through a dense mix without the need for piercing treble.

In 1978, he formed a group that included pianist Lyle Mays, Danny Gottlieb, and upright bassist Mark Egan. This quartet became known as the Pat Metheny Group and produced two albums for the ECM label. This group’s sound merged jazz with rock energy and pop and folk-influenced melodies. The group sold more than 150,000 copies of its first album.