gibson eb bass 5 string-natural

Explore The Gibson Bass Collections

Gibson Bass Guitar. Gibson has produced quality bass guitars since the dawn of rock and roll and especially in the 1950- the 60s and the 70s. In that period Gibson developed many of the best-selling Bass Guitars ever created with the majority of the present Gibson bass models developed these days. Tunnelbird’s ultimate rock basic. . A truly amazing RD Artist. . ‘ Ed. Semi Acoustic bass. Gibson SG bass models – are not like those of the 1960s EB3. Gibson Bass Guitar is a highly regarded instrument made by a skilled artist using great materials and hardware.

Gibson manufactured bass guitars in 1953, beginning with violin-like bass. It reflected Gibson’s spirit. They said guitars should be big jazz boxes and bass guitars should be upright and acoustic and also said they were opposed to Gibson’s solid-body guitars. Fender had a solid-bodied bass in a relatively hot climate and solid-bodied models are surprisingly popular. Gibson’s bass was shaped like an upright – a bass with a retracting pole for a bass to play upright.

Vintage Gibson bass guitars

Contrary to Fender producing only a few basses but continuously over 50 years (Fender Precision, Fender Jazz basses). The results show considerable variation across all Gibson’s basses from look to build, electronics, and eventually sound. It has long and short-scale basses. A model with fixed necks bolted necks and through-body necks. They have mahogany, maple, and alder bodies. Several pickups have single coils or humbuckers available.

EB-3

The Gibson EB-3 bass guitar was a favorite of bass players throughout the 1960s and 70s. Its low, growly tone is recognizable and easy to play. It was used by many bass players, including the Kinks’ Pete Quaife and Chris White of the Zombies. In the early 1970s, the EB-3 was also favored by Rolling Stone Bill Wyman. Other notable players who favored the EB-3 included Tom Evans of Badfinger, Glen Cornick of Jethro Tull, and Trevor Bolder of Spiders from Mars.

The EB-3 bass was first introduced at the Summer NAMM show in 1961 and ended production in 1979. It was played by many famous bassists, including Jack Bruce, Felix Papilardi, Chris White, and Andy Fraser. The EB-3 went through several configurations, but the standard color was white. It was the most popular model for almost 18 years.

In the early seventies, the EB-3 went through a major redesign. The neck was made of maple, the pickups were moved to the top and bottom, and the underbridge mutes were phased out. These basses have a pronounced tone, which makes them an ideal choice for heavy, dirty rock bands.

The Gibson EB-3 is one of the most popular and versatile bass guitars ever made. Its design is reminiscent of the bass guitars that Jack Bruce played with Cream in the ’60s. Jack Bruce first learned the bass on an upright before switching to a larger, six-string Fender Bass VI, which is tuned an octave below a standard guitar.

 

 

Gibson EB-5

gibson eb bass 5 string natural

The EB-5 production bass guitar is a bass guitar designed to give bassists a full range of sounds. It is a streamlined instrument with a swamp ash body and maple set neck. It is equipped with dual humbuckers and passive electronics. Its scale length is 34 inches and it has 24 frets. Its 21-inch radius fretboard requires long fingers to play it comfortably. It has chrome hardware and a red satin nitro lacquer finish.

The new Gibson EB bass guitar has a unique body style that draws inspiration from the Gibson SG. It is also different from other basses bearing the EB moniker. Among other things, it has pickups and a unique vibe. It was designed by one of the two most prestigious manufacturers of electric guitars, Gibson.

The Gibson EB-5 production bass guitar has a modern look. Its body is based on the Gibson SG model and is equipped with dual EB humbucking pickups. It also has a Babicz full-contact bridge that allows maximum resonance between the strings and the body, resulting in powerful and clear tones. Its neck is made from maple and has a rosewood fretboard.

The EB-0 has been around since the early 1960s, but the peak year for its production was 1969. During this period, cream-style blues rock was on the rise. Jack Bruce is renowned for playing an EB3 bass. Although only a few major artists used this model, EB3’s tonal range made it a popular choice for garage bands, blues bands, and church bands.

The EB-5 has many benefits, including an additional pickup in the bridge position and a 5-ply pickguard. This model is also known as the Orville by Gibson model. Its unique look is a distinct advantage, particularly when playing in crowded venues. It is a versatile instrument for any genre of music.

The guitar’s finish is matte, giving it a soft, matt feel. This finish is perfect for gigging bassists, as it won’t glare under stage lighting. It also looks great in photographs. A sunburst neck is a classic choice for bass.

The EB-5’s neck design also makes it easy to adjust the pitch. It has a seven-string configuration and is tuned EADGBEA. Its lower six strings follow the standard intervals of a six-string guitar. In addition, the guitar has a fretless design.

 

CMI

CMI Vintage Gibson bass guitars were once used by the legendary bassist Jimmy Page and his former Yardbirds rhythm guitarist Samwell-Smith. It was even used by Free drummer Andy Fraser, who used a sunburst version. The CMI Vintage Gibson bass guitars were discontinued in 1969 but briefly resurfaced in the 1970s, featuring two pickups.

The mid-1960s through the 1980s saw the consolidation and sale of the two major guitar manufacturers to faceless corporations. In the process, the industry experienced a sea change. Gibson and Fender were bought by unnamed corporations that ran both commercial and customer-led businesses. While this was undoubtedly a good thing for consumers, it also limited innovation among guitar makers.

In 1994, Gibson executives implemented several changes to turn the company around. The company had a compound growth rate of 30 percent since 1986. Sales were only $10 million in 1986, but by 1993 and 1992, Gibson had already reached $50 million in sales. As a result, the company was able to expand into new areas.

The history of CMI Vintage Gibson guitars dates back to 1948. It is the oldest vintage guitar brand in the world. The company is a leading manufacturer of guitars, basses, and accessories. Its name is also synonymous with quality. Its brand appeal stems from its vintage design.

Production Gibson bass guitars

Gibson’s original Electric Bass was a 1953 Electric Bass or EB. Les Paul influenced this generation never far away: this was one of Gibson’s first electric bass guitars. My role as a violin shape was primarily due to me using the E string in an electric guitar bass with my thumb to play. EB2 and EB3 followed soon after the Thunderbird bass, Melody Maker bass, and finally the Les Paul bass.

1967 Gibson Melody Maker Bass

1967 Gibson Melody Maker Bass

The 1967 Gibson Melody Maker Bass is a vintage electric bass with a single-cutaway body, Grover tuners, Tune-O-Matic bridge, stop tailpiece, dual humbucking pickups, and Kahler tremolo system. The Melody Maker also came in Flyer/Pro 2 models. The Flyer/Pro 2 featured an Explorer neck and dual humbuckers.

Les Paul Melody Maker

The Melody Maker is a submodel of the Les Paul guitar. The guitar has a slimmer body than other Les Pauls and features carved maple tops with a satin nitrocellulose finish. It also has a rounded maple neck and a full-size Les Paul headstock. Its pickups are P-90S, based on the original Gibson ES-125 pickups, and feature Fender-style Alnico slug magnets.

The EB-0 bass was introduced in 1959, as a response to the declining sales of the EB-1 bass. The EB-0 had a mahogany body and neck and was manufactured until 1961. In 1962, the Melody Maker was replaced by the SG. The bass underwent several changes during the 1960s, such as switching from black plastic to metal pickup covers and chrome hardware.

The serial number is usually located on the back of the neck between the tuning machines. If the serial number is six or less, it is probably an older model. Starting in the 1990s, Gibson started to reuse this serial number scheme for reissue guitars. If you’re looking for a reissue guitar, the serial number will be displayed on the body.

Les Paul Melody Maker D

The Melody Maker was an inexpensive solid-body electric model introduced by Gibson in 1959. It shared the same body shape as the Les Paul Junior, but it was narrower on the headstock, allowing for lower production costs. It also featured double cutaway pickups, which made it a popular choice for aspiring guitar players. By 1966, it had been updated to feature a 12-string version and a three-pickup model. The model was sold until 1971 when it was discontinued. It was available with one, two, or three single-coil pickups. It was also equipped with a Maestro vibrato.

Before retiring in 1971, the Melody Maker had branched out into several different body shapes. The ’67 Melody Maker is a great example of one of them. This guitar is also referred to as the ‘D’ model because it has two pickups. It is in excellent condition and has no major nicks. It also has no weather/age checking on the body, and its original case is in excellent condition.

The Melody Maker D was manufactured in Kalamazoo, Michigan. It was given to a woman in Miami in 1968 by a young man who was teaching her how to play guitar. She kept the guitar for the next 50 years and even had the original lesson book with it.

Les Paul Melody Maker Flyer

The Gibson Melody Maker is an electric guitar that was introduced in 1959. It was Gibson’s response to the Fender student model and was available in single and double-cutaway models. The Melody Maker was a popular guitar that went through several revisions and was marketed to beginners as well as more advanced guitarists. It featured a solid body and a single cutaway with two humbucking pickups. This model went on to be very popular, even though it was eventually discontinued in 1971. It was available with one, two, or three pickups. The Gibson Melody Maker was also standard with a Maestro vibrato system.

Gibson used a two-digit prefix on its serial numbers, although later guitars had six-digit numbers. In addition to the prefix, serial numbers were also stamped on the back of the peghead. The serial numbers for Gibson guitars were readable at a distance, but not always at the first glance.

The Melody Maker bass debuted with a thinner neck, a faster action, and a handrest on the lower pickguard. This made it easier to pick the strings with the thumb. The design was also a little different than the original Les Paul, which featured a traditional Fender bridge.

The serial number is also a useful source of information about the instrument. This number tells you when it was manufactured. Its serial number is usually in the range of 100000 to 200000. The numbers may have been duplicated up to four times. The number placement varies based on the era, but the numbers are usually positioned randomly.

Les Paul Melody Maker Pro 2

The Melody Maker is an early solid-body guitar made by Gibson that first appeared in 1959. The body was a thin slab of Mahogany with a carved Maple top and neck and a rosewood fingerboard. It featured a single-coil pickup and a single-volume knob. The Melody Maker also featured a wraparound bridge and tailpiece unit. The Melody Maker was a popular choice for singers and guitarists of the time, and artists such as Pat Travers and Joan Jett were often seen performing with the instrument.

The Melody Maker Pro 2 shares many features of the Melody Maker, but is considerably more affordable than its predecessor. It also features a solid, US-made carved top and an appealing price. Gibson’s Melody Maker line is a classic model, and many early alternative artists used Melody Maker guitars. The guitar was renowned for its versatility, and it was a favorite among the band, Joan Jett.

The Melody Maker Bass was the first model to feature a thinner neck. This made it easier to play and use your thumb to pick up the strings. In addition, it had an additional feature that allowed for independent bass-string intonation. A handrest on the lower pickguard was designed to make string picking easier.

The tone of a Melody Maker Bass is rich and powerful. With a solid P-90 pickup, the guitar’s tone is rich and full. The original Gibson gig bag is included, and the guitar is in excellent condition.

Are Gibson basses any good?

SG Melody Maker D

This 1967 Gibson Melody Maker D features the single coil pickups of the original model but a pair of humbuckers. It is also equipped with an SG-style pickup switch. The body of this guitar is primarily made of mahogany with a wide headstock and a “stinger” at the apex. The guitar is in good condition with some play wear and finishes checking. It is equipped with dual single-coil pickups and has a medium-profile maple neck. The guitar also includes its original chip case.

This guitar was manufactured by Gibson in Kalamazoo, Michigan. In 1968, a young man in Miami received it as a gift and taught a woman how to play it. This woman kept it for 50 years, preserving its original case and lesson book. Gibson also offered a shortened version of the guitar with a 3/4-sized body.

This guitar is in great condition and has a classic Gibson sound. The humbucker has an outstanding ringing tone, and the pickup is extremely sensitive. It also plays with a feather-light touch. It is an excellent investment and can be picked up at a local LA pickup location. It has minor buckle rash and dings, but no major breaks.

The Melody Maker is considered one of the most affordable electric guitars. The original model was released in 1959. The shape was very similar to the Les Paul Junior, but the headstock was narrower, which made the guitar cheaper to make. The next two versions of the guitar featured double cutaways and the Melody Maker SG style. The guitar continued to be popular until the 1970s when it was discontinued. It was available with one, two, or three pickups and the standard Maestro vibrato.

SG Melody Maker

The 1967 Gibson Melody Maker Bass is a vintage instrument from Gibson that is both beautiful and extremely rare. Its design is similar to the EB-0 bass, but it was a student model that had a smaller production run. The serial number is also somewhat sketchy, but the pots do date to 1966. This example was originally sold by the seller in 1966, but has been refinished and does not have the original pickguard.

The Melody Maker bass was released in two variations: the single-cutaway Melody Maker and the double-cutaway Melody Maker. Both feature a mahogany body and humbucker pickups. The EB-0 and Melody Maker feature a classic, warm tone. The latter model is available with a single humbucker, while the former is equipped with two humbuckers. The EB-0 and Melody maker share the same hardware, including a single-stackable Les Paul headstock.

The 1967 Gibson Melody Maker is in excellent condition and comes with its original case. It is finished in the custom Pelham Blue color finish, which is extremely rare. The guitar plays beautifully and has a high-quality vibrato. The body is narrow but comfortable to play with. It shows some wear but is in remarkably good condition considering its age. It has only one significant repair, a crack on the lower bout.

The 1967 Gibson Melody Maker Bass had a single-cutaway body, a tune-o-Matic bridge, and a stop tailpiece. The bass also came in black and with a special ebony fretboard inlay in the form of heart inlays. The neck was rosewood, and the pickups were single-coil or double-coil.

Artists

Stanley Clarke’s Alembic Signature Standard with Bigsby Vibrato

The Alembic Signature Standard with Bigsby vibrato vintage Gibson bass guitar is a tribute to one of rock’s most iconic bass players, Stanley Clarke. This bass was featured on the cover of Clarke’s 1992 album “I Wanna Play For You” and on the track “School Daze.” A signature model of this guitar was created in his honor by Alembic, a company that has been making custom instruments since 1932.

This guitar has two pickups, adjustable saddles, and a bridge. It also features a mother-of-pearl inlay on the fretboard. It has four pegs on the headstock, and the top of the guitar bears the logo of the manufacturer, featuring a cloud on top, a hand reaching down, a dragon’s body, and a stylized alembic.

The guitar features a nine-volt battery and features an active mid-boost (+25 dB) preamp and TBX circuits. It produces both crystal-clear clean tones and huge overdriven sounds. It also has a push-pull midrange pot and can be plugged into a high-gain Marshall amp.

This guitar is a great example of how a vintage Gibson bass guitar can look. Its double-cutaway body is made from solid wood with hollow sides underneath the F holes. Its shape helps reduce feedback, making it perfect for jazz and blues.

Gene Simmons’ Axe

The Axe Vintage Gibson bass guitar from Gene Simmons is an axe-shaped instrument with a black axe head and painted silver blade. Its mahogany body produces a heavy, crisp sound. It features a rosewood fretboard and EB6 four-string bridge.

The guitar comes with a Mighty Mite MMJB-R pickup that provides bright and clear tones. You can adjust the volume and tone using the toggle switch. The guitar features Simmons’ signature on the headstock. This guitar is available at an incredible price. If you’d like to play like Gene Simmons, this is the guitar for you.

The Axe Vintage Gibson bass guitar was custom-made for Gene Simmons by bass maker Steve Carr. Its body and scale are very short, which makes it easy for Gene Simmons to play. The guitar was never used live, but it’s seen in photos of the rock icon. The bass was also used on the album cover of “Time Capsule” by Lita Ford, and several Kiss songs.

Gene Simmons has signed with Gibson. His signature bass model is called the G2 Thunderbird Bass. It features a Reverse Thunderbird body and headstock, and powerful T-Bird pickups. It also features a bound ebony fretboard with reverse split diamond inlays. A Hipshot Mini-Clover tuner keeps the strings in tune while the Hipshot Bass Bridge anchors the other end of the strings.